The german choir association awarded the kindergarten st. Anna for his musical work again the qualitatsmarke “die carusos! To each child its own voice. At a ceremonial awarding event, st. Anna get this certification.
The children had prepared themselves for the occasion with a few songs. Finally, lisa stenglein, the representative of the german choir association, was to hear once again what the children can do.
In three towns in the district – stegaurach, frensdorf and scheblitz – this community project takes place in cooperation with the music school, the local bookstore and the local elementary school.
Elementary school children read the exciting story with distributed roles. The string orchestra of the district music school complements the payment with music by gustav holst, edward elgar and bela bartok. In connection with words, pictures and music, the payment will be made already for young children from approx. Four years to the experience, so the message from the district office. The story from the pen of the well-known children's author janosch is about little josa, who one day is given a magic violin as a gift. A violin that can make any listener either rough and strong or quite small. And with this violin, josa sets off for the moon. On the way, he meets many people whom he can help thanks to his violin. He even manages to defeat the greedy king and his riders. Bravely, little josa goes on and on until he finally reaches the end of the world. Here he can play for the moon, which then becomes sometimes smaller and sometimes coarser. His father, old jeromir, sees this too, and he knows that no one other than josa is capable of performing such a miracle.
"Why are only the current hitlists played up and down all day long and other songs are hardly played?", high school student joshua augsburg asks horfunk host matthias matuschik "matuschke". "I apologize for my good smell", answers this suffisant.
You can't please all the hornets. "They beg me on the phone to play their favorites – but please everything only from this one favorite, such as tina turner, bon jovi or other musicians", explains matuschke. For the pop music of lower franconia peter nader of "mainpop" asks for a permanent broadcasting forum at bavarian radio and a real chance for unknown bands.
It is difficult to find appropriate words for what took place on this sunday in the rugheim schuttbau, which was deep in snow: as part of the master concerts, the numerous visitors were able to experience a concert that can hardly be surpassed in terms of artistic quality and atmosphere. With violinist anna sophie dauenhauer and her chamber music partner, pianist lukas maria kuen, two artists who are internationally active both as soloists and chamber musicians gave guest performances.
The program did not necessarily include the standard works for this instrumentation: english and french-belgian works of spatromantic, even impressionistic character escaped into spheres of a musical world that allowed for manifold enjoyments.
In preparation for this, there was a short interview with artists, in which the artistic director of the master concerts, andreas weimer, gave an insight into the life of professional musicians. This is how the accidental discovery of the "four sketches" came to light by philippe gaubert by anna sophie dauenhauer in an antiquarian bookshop.
In the concert, the duo dauenhauer-kuen created a dreamlike atmosphere with this work right at the beginning, in which one could bathe in the rich and warm violin tone caressed by the soft piano tone. The glittering of water, the gentle swaying of waves, even violent storms or a lively hunt could be created in front of the inner eye, the two musicians harmonized perfectly, created the purest of melodies and forced the audience into a breathless silence with their intensity.
Pale shading against jubilant joy, lustful lushness, coarse emotions also in the other works of the evening: edward elgar's sonata in e minor op. 82 grasped space gloomily and grippingly. Dauenhauer and kuen told an eloquent story here, delivered finely tuned chamber music balance, developed almost unbelievable dynamic dimensions, but were also able to present themselves capriciously, coquettishly and playfully. Passion spoke out of the interpretation, which made a wide arc from immense density and tension to filigree transparency.
Finally, cesar franck's sonata in A major: both interpreters were once again able to display all their class, virtuosity and sovereignty. Roughly the opening gesture that allowed the entry into a work that offers highly dramatic and poignant moments. Immense richness of color, perfect intonation, elegant tone and touch culture – on the wide wings of sound dauenhauer/kuen loved to float the fascinated audience, celebrated the endings, expressed ecstatic bliss, ouching longing and radiant triumph.
That was chamber music in perfection, and the listeners were also in awe of it. Naturally, there were storms of applause before a gentle berceuse as an encore calmed the tempers and one was released into the magic of the winter night.
The saale-musicum extends over seven weeks. "A total of 2000 active participants – a remarkable achievement", said lapp. The basic idea of the concert series is to make the culture of the homeland visible once a year. And so the children’s singing circle under the direction of sandra metz performed on the market square, the burkardroth brass band was also on hand.
"We have many well-trained young musicians in the region. Music has been cultivated here for generations", the project coordinator. The youth care in the clubs is very good, the training is excellent.
Elisabeth kuhn described the saale-musicum station in burkardroth as a "pearl" in the series of events. We have many music bands and choirs in the market, which do excellent work. My heart swells when you see the musicians standing and playing here." of course there is a lot of work behind such an event, but it is always very well managed.
"The well-being of the city impressively and permanently challenged" have two personalities, who were admitted today in bamberg into the small circle of the burgermedal bearers. Mayor andreas starke (SPD) awarded the gold medal to karin dengler-schreiber and helmuth jungbauer. The setting was a festive session of the city council in the hall of mirrors of the harmonie and music by a trio consisting of teachers from the city's music school.
In the case of dengler-schreiber, the city council's decision to award her the burgermedaille was primarily in recognition of her commitment to the preservation of the city's local heritage and to bamberg's world heritage. For 26 years, the historian has been involved as a guardian of bamberg's past, said starke, and in the process has saved some things from demolition that people in bamberg are proud of today. He cited as examples the erba buildings and the brick building of the former kaliko next to the concert hall, which is now an indispensable part of the conference and congress facilities. "The word of her has weight", so the conclusion of the oberburgermeister.
They like kassel, because it is already quiet like this. So different from her hometown of jakarta, which has a population of 30 million people in its metropolitan area. This is what iswanto hartono, who belongs to the indonesian art collective ruangrupa, tells the german press agency in an interview.
The group, with a core team of ten people, will organize the documenta in kassel in two years (18. June to 25. September 2022) design. It is also intended to appeal to people who are not interested in art in their everyday lives.
Traditionally, on the saturday before mother’s day, the concert of the musikverein wallenfels and the choral society cacilia wallenfels took place in the "kulti" instead of.
After the concert was solemnly opened by the music society with the song "chicago festival" had been opened, chairwoman janina eger buried the visitors. The musicians were particularly pleased about the support of three young female musicians, who performed the following two pieces "a song for you" and "a song for the world" and the march "holiday, made their debut. Nikita kossatz and katharina schauer on the clarinet and lena weib on the alto saxophone convinced the audience with their talent. "And what do you think? Is it enough for fronleichnam, or?", the visibly proud conductor andreas pratsch asked the audience, who acknowledged the question with appreciative applause.